故事发生在西南边陲。碧罗雪山下,怒江奔腾不息,这天傈僳族小伙木扒举行婚礼,全寨子乡亲赶来凑热闹,一派欢喜气氛。迪阿鲁爱着木扒的妹妹吉妮,而受老观念影响的爷爷多利拔坚决不同意,他要迪阿鲁守着丧夫的嫂嫂阿南恰,并帮她一起哺育尙在幼年的侄女阿亚。熊是傈僳族供奉的祖先,但在目前收获季节它常常跑出来毀坏庄稼和牲畜,很是让人头疼。身为村民组长,迪阿鲁天天奔波在为村民讨赔偿的路上,同时磨破嘴皮地宣传国家林业法规。木扒偷剥珍稀植物红豆杉皮,被执法部门拘留,救儿心切的父亲要女儿吉妮嫁给混混阿达,以期讨来彩礼交罚款,迪阿鲁闻讯痛苦万分......
Bear
Bear is the forefather, Lisu live in the mountains generation after generation with the ancestor's bless. You can't live without your father , forefather and grandpa. They're the foundation of the family and " life".
Land
Mountain god will tell you that " All lands need plowing". However, the land is not free,the bride price is too high to afford(why?), every family has some debt(the castles), but castles had been eaten by bears gradually,so men can't afford " lands".
Rich - the standard about " life"
Some standards and rich guys from outside came in, Lisu feel like that they have so little money that can't bear the " life". And the government puts,"to make village accessible to tourists by infrastructure ,your life will be much better. " When and How, standards about life has been changed?
Destiny
"Like spring breeze brings out buds." Everything has its position and destiny in the Lisu belief. But are there really something destined to happen? Undeniably,there are also some causal reasons to make life what it is. The bears eat fruits , unfortunately with some "bad guys" poaching and stealing trees to satisfy some foreigner's needs , the fruits for bears became less and less ,and the forefather came into the village to find something to eat. After many times "bad guy - rich guy - bear "loop, the family became poorer and poorer ,lead to such " destiny" to sell Jini.
Life
According to <The Art of Not Being Governed > by J.Scott, the ancestor of Lisu choose a life in the mountain like this due to the war and governance, and developed many strategies to escape the governmental power.But nowadays , they have no place to maintain past life, the outside world and people and standards came in . With accessible roads and vary goods, you just can't live like you were, everything around you will change despite of your own will .You can't escape from the structural power by simply kill some bears, but in some sense, that's the only thing you can do. The life per se has been already changed, forever.
背景音缓缓响起,云雾在山间缭绕,电影走向完结,令人赞叹的电影!
电影的好是一种非常主观的感受,于我而言,就是观影人和电影之间达成的强烈共通共振!
作为成长于怒江大峡谷的我,对这一切我太熟悉了,难怪乎有强烈的情感共鸣。
电影根据同名长篇小说《碧罗雪山》改编,作者应该是一个傈僳人吧,什么时候找来读一读。
电影的拍摄地应在怒江贡山的丙中洛乡的某个傈僳族村庄。令人惊叹的是,竟然还有创作者关注这片土地和人群,类似于《看不见的美国》,这个群体是沉默的小部分,由于历史和现实原因,并不为外界所认知,但这也是我们这个世界的一部分啊。
故事核心其实特别简单,一户傈僳人家,哥哥迫于生计,倒卖国家保护植物,犯法被抓,家人为了救他,不得不将妹妹下嫁给有些资产的村痞。妹妹早已心有所属,却无力回天,于是选择献身熊群,获取政府的赔偿金来抵哥哥的罪。
如此简明的故事本身却有丰富的内涵:社会发展进程的严重不平衡性(区域间、民族间);古老信仰与现代化的冲突和融合(并非只有对抗);人类和自然界的关系(人们一贯认为,退耕还林、保护动植物是理所应当,可傈僳族数千年来就是靠伐木取暖建屋,狩猎放牧为生,政策挥鞭说停就停,这理所应当吗?);政府治理和基层自治;脱贫攻坚(真心致敬那些奋斗在脱贫一线的人们);当然,最鲜明的就是爱情和现实的强烈冲突了,明明这世界没有一个坏人挡你的路,可你会发现竟然无路可走。
最后,从技术角度而言,私以为演员表演节奏可以适当放慢;背景音明显不足,气氛烘托不够。但没必要求全责备,近乎完美了。
挺好看,不枯燥,看时常笑声一片。已经尽量规避了主旋律,可以了 @小西天
这次参加大影节觉得最好的电影,一直不愿意添加条目是为了好好写一篇影评。一条通俗的爱情主线牵扯出政府的保护政策、志愿者的绿色观念、传统的道德信仰、宗法制度与人民实际生活利益的各方矛盾,少数名族题材却不卖弄风景民俗,拿着国营制片厂的钱却砍掉了政府的高大全,刘杰这样的导演是会成大气的。
享受那种一张弓缓慢绷紧的感觉
配角們實在是太不給力了。一部主要以對話來支撐的電影,配角連臺詞都說不好,翻譯連字幕都翻不准,是會讓人去懷疑導演的態度的。
从马背到透析再到雪山,都将新与旧、传统与现代置于一个即将发生变化的焦虑时刻。政府的熊打不得,祖宗的熊骂不得,剩下尴尬的村民,被权力和宗法甚至环保道德压迫得几乎没了安身立命之处。在这样的窘境下,年轻人不再相信宗法社会,干脆迁走,我就是要打这祸害人的祖宗。
完美的表演指導阿。。劉傑又講情與法
意图很巧妙,只不过重点太多,导致节奏失重,结构散乱。看了这片,更觉得在中国拍真实人的生活,只有非职业演员才是有希望的。
复杂的题材被处理得如此得当,情与法、信仰与现实,以不断冲突设置困境并循环往复,力道很足。愚蠢而又不顾一切的爱情啊.....
所有的演员都是当地的原著居民,导演说他们连电影都没看过,完全原生态的演出。电影很感人,女孩美极了
看了一半,一般了点
终于看到了传说中的神作了,题材不错很加分,可惜没有一个地方耐看。★★★
电影里傈僳族的形态和境遇好比一百年前的汉族。作为观影者,我们究竟是和西方观众一样作为“他者”,还是和片中鲜少出现的操他们听不懂的普通话的公务员们同属于“你们”,抑或这过了一百年的我们依然还是“他们”?尽管导演避免介入,但叙事还是流露外来视角,且隐喻重重。文本意义大过影像意义。
空间处理上很是捉襟见肘。无趣的伪笑点太多。
这片适合自己安安静静的看,有点闷,但是对于村民们过江溜索的镜头记忆深刻,宗教与法律,落后的村庄与现代社会的交集,志愿者不是来帮我们的吗?他们不是帮我们,他们是帮熊,最后村民搬家,老妪看着天空,这就是传统与现代碰撞的冲突现状
果断2010华语最佳,开头稍弱,此后几乎完美。摄影极赞,空镜做标点,故事逐层推进,愈发绵密。传统,法律,现实在此纠结起来,又是个颇具基斯洛夫斯基味道的故事。小姑娘盛装去找熊时那个笑容,华丽又残忍,戳得死死的。能把主旋律献礼片拍到这样的水准,刘杰真是神人。
小女孩看到熊的那一刻,笑了。她说,熊孩子,我来了。
其实,本来越像真实的影片越让我怀疑有多少是真实的,我会更加仔细找“人工”的痕迹。是当地人在演戏,还是基本原生态?这个片子是建国60周年献礼的命题作文片,导演没有直接使用剧本,而是自己花了大量时间精力,根据当地情况辛苦创作的。情节很集中,戏剧性比较强,这和原生态的背景非常不符。无感
祖宗,政府,黑瞎子!
熊要来,女子要嫁人,都是没有办法的事。于是男人要骂祖宗,要打熊,要号咷。都在白云茫茫中。(with datouma @ MOMA)
讲了无数遍的故事披着少数民族的外衣再讲一遍【电影资料馆】